Blog

Lessons Learned.  My  Art Friend, Jerry, sent me an email in regard to my current marathon portrait painting in a local art gallery.

I’m sure this has been a great experience for you on many levels.  Have you ever painted so many faces in such a short period of time?  What do you think you’ve learned thru this exercise?  I think of when you were pretty private with your art (drawing class….at least this was my perception) and now so public with your talent.  Would be interesting to hear your inner thoughts, and more important to see where this leads you.

When Jerry popped into the gallery, he referred to his email. I started to give him humorous responses, but he insisted on serious answers when we had time for a meaningful discussion. Well, Jerry, I have time now, even if you do not!

I’m sure this has been a great experience for you on many levels. Mostly, I have had a wonderful time.  I love to paint, I enjoy engaging with others, and the challenge has been a growth experience.

Have you ever painted so many faces in such a short period of time? I have never before painted anywhere near the projected 15 portraits in a 22 day period. I have one day and one portrait to go.

What do you think you’ve learned thru this exercise? I had three roles: artist, facilitator, and marketer. 

As an artist, I learned that sticking to my process, but being flexible was important.  By employing a consistent process, the painting has structure and I have confidence. However, as the model moves, as I see my errors, as the light changes, I must make adjustments…sometimes major.  I have learned not to fear these changes.  Paradoxically, they have become part of the process. 

As a facilitator, I have learned what to say and, interestingly, what not to say to the model.  I have found that explaining the pose, the breaks, the type of music, etc. sets the proper tone. The model has input regarding the pose and the background color.  Establishing a partnership has been effective. I avoid comments that will cause doubt in my abilities or cause the model discomfort.

As a marketer, I learned that usually the painting sells itself. After a few portraits, I found that it is beneficial to encourage and honor the models’ suggestions. A person sees her portrait with fresh eyes, with ego eyes, and with a consumer’s eyes. By making the requested touch-ups, the painting improves and the model becomes a satisfied customer. 

I think of when you were pretty private with your art (drawing class….at least this was my perception) and now so public with your talent.  Would be interesting to hear your inner thoughts. A long time ago, when we drew together, I didn’t feel that volunteering to share my art was appropriate.  In fact, even today I never say “what do you think?” to fellow artists about my work. However, I am very responsive to unsolicited comments. And, I engage others regarding their work. So, there is a slight difference.  I think that being older and being a better artist has given me the confidence to share my thoughts and my art.

…important to see where this leads you. I have not mapped out a path.  I think I will just be mindful of the signs as I go forward.

Thanks Jerry. There were many lessons learned.