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So Say I

8/5/2019 9:31:42 PM by Jacqueline Knell
2 Comments


So say I. Recently I engaged in a brief conversation that contained a pearl of wisdom…mine! Probably it was a cultured pearl, because Mark Wood inserted a particularly key remark: ”I wish I could paint like that.” 

 

I was at a drawing session at Mark’s studio and, is often the case, he showed me postcards, clippings, and books of paintings that he likes. We engage in these chats because, it seems, that our tastes in art are closely aligned. For example, on that day he mentioned a favorite Laguna Gallery, which is one that I have followed. He showed me a book, which contained the portraits by an artist that I have long admired. But, it was his remark that turned my thoughts, and my abrupt reply, in another direction. 

 

“Just because you like an artist’s work, doesn’t mean you have to paint like her,” I replied. (The above two examples were both, interestingly, “her.” No precious gender gestures here.) I think having broad artistic tastes is a good sign. But, I do not think that should translate into emulation. 

 

First, to experiment with all the styles and subjects of interest would be disastrous. An accomplished artist would be regressing into becoming an amateur artist. Mark is accomplished. I believe he should focus on what he does well and not spread himself thin. If fact, he should buff up his body of work.

 

Second, I think that a concerted effort to emulate one particular artist is an exercise in losing one’s artistic soul. Although learning techniques and tips from a master artist is extremely valuable, I believe that artists can be over workshopped by their mentor. Attempting to follow the master’s path is to go astray. So I say.

 

by Mark Wood

 

 

 




Comments

2 Responses to So Say I

I totally agree with you! I think the best teachers are those that encourage you to develope personal style. Chris Van Winkle used to tell us -at some point you have to kill your teacher”. Of course he meant kick the teacher out of your head.

I see it differently. Experimenting with other styles and interests can expand an artist's work and possibly lead to promising new directions. An accomplished artist wouldn't turn into an amateur because his or her knowledge, techniques, vision and abilities would still be intact. Following a "master's path" path could go a variety of ways - it could build on the master's work, it could go in an unexpected direction, it could lead to the student's finding a way to combine parts of what the master does with the student's vision. It can open up unexpected vistas or it could be a worthless pursuit. But an artist who can only focus on what he or she does well can stagnate. Being open to change can be very energizing and productive.
Also, if we look back through art history at the work of the so called "old masters" we can see how some began painting in the style of their masters and then went on to expand, improve, and make it their own.


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